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Franziska (play) : ウィキペディア英語版 | Franziska (play)
''Franziska'' is a play by the German dramatist Frank Wedekind, first produced in 1912. Subtitled "a modern Mystery in five acts", it presents the heroine as a "female Faust" by way of conscious parody and commentary on episodes from Goethe’s ''Faust''. ==Plot==
Franziska is a restless young woman, bored with living with her mother. Having observed her parents’ married life, she wants no part of marriage. A knock at the window announces the arrival of Veit Kunz, an insurance agent from Berlin, who offers her a bargain. Disguised as a man, she will have two years to enjoy the freedoms of a man and fulfill her ambitions as a musician, at the end of which she will belong to Kunz. There follows a wild nightclub scene set in "Clara’s Place" among a debauched assembly of writers and prostitutes, which gives full rein to Wedekind’s verbal inventiveness. "Franz", as Franziska now styles herself, is by now unhappily "married" to Sophie, a young heiress who is unaware of her true identity. Meanwhile she has become Kunz’s lover and fallen pregnant by him. Sophie’s brother learns that his sister has married a woman and wishes to avenge her lost honor, but when Sophie is told of the truth she shoots herself. Kunz now marries Franziska and starts a new career as a writer of "mysteries", in which his wife acts. One of these depicts Christ’s descent into hell to free the souls of pagan heroes, with Franziska cast as Helen of Troy. Another play-within-the-play is a doggerel composition in rhymed couplets written by their patron the Duke of Rotenburg. The couple’s marital bliss proves short-lived, however, as Franziska begins an affair with the actor Ralf Breitenbach. On discovering this, Kunz makes a botched suicide attempt. In the final Act Franziska finds contentment in rustic surroundings with the painter Karl Almer and her young son Veitralf (named after her two former lovers). When Kunz and Breitenbach visit her in this idyll, she wants nothing from either of them, having learned to live within her own limitations.
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